2025-06-18

《靈弦對決:AI與人類的最後演奏》(2/10)

 GPT生成短篇網路小說

《靈弦對決:AI與人類的最後演奏》    

                                                                                作者:哈奇丹丹

第二章|靈弦計畫啟動


🇺🇸美國·矽谷,2030年。


在一家新創音樂科技公司「Sonance Robotics」內部會議室,一場精英匯聚的簡報正在進行。


「我們稱這個專案為『靈弦(SoulString)』。」

簡報上的主畫面是一台具有16自由度手臂的仿生機器人,胸口標誌為「ALBERT-V」。


「這不只是機械拉奏,而是運用大量人類演奏資料,包含音波表現、微情緒變化與個人風格模擬,結合Transformer模型與感知回饋演算法,讓AI在『詮釋』上也能逐步進化。」


投資人驚嘆不已。

「你們的目標是取代音樂家?」

「我們的目標,是超越人類侷限。就如同機器已能下贏棋王,也終將能演奏超越人類的樂章。」


那一刻,全球各大音樂學院、人文團體、哲學家、甚至宗教團體,開始發出反對聲浪。

但同時,也有音樂廳開始與 Sonance 合作,籌劃「機器音樂家演奏夜」。


(待續…)




Chapter Two|2030: The SoulString Initiative Begins


🇺🇸 Silicon Valley, USA — 2030.


Inside the sleek conference room of a cutting-edge music-tech startup called Sonance Robotics, an exclusive briefing was underway, gathering some of the most elite minds in AI and music.


“We call this project SoulString,” the presenter announced.


On the main screen was an image of a bionic robot with 16 degrees of freedom in its arms. Embossed on its chest was the logo: ALBERT-V.


“This isn’t just about robotic performance. We’re using massive datasets from human musicians—capturing acoustic nuances, micro-emotional fluctuations, and individual stylistic traits. Through Transformer-based models and real-time perceptual feedback algorithms, we’re enabling AI to evolve in interpretation, not just execution.”


Gasps and murmurs filled the room.


“Are you aiming to replace musicians?” one investor asked.


“Our goal,” the presenter replied confidently, “is to transcend human limitations. Just as AI has already defeated world chess champions, it will eventually perform music that surpasses even the finest human artistry.”


In that moment, ripples of resistance began spreading across the globe—from prestigious music conservatories to humanist organizations, from philosophers to religious leaders.


But at the same time, some concert halls began collaborating with Sonance to plan a new kind of event:


“An Evening with the Machine Virtuoso.”


(To be continued…)



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